Tonight I opened Sweet Swing Blues on the Road by Wynton Marsalis and Frank Stewart. It's a coffee table book about life on the road for one of Wynton's bands. I bought it for Jeffrey years ago when we still lived in Portland, and I hadn't looked at since those days. Page 37 is an artfully-shot, full-age, black and white photo of a New Orleans-bred upright bass player named Charnett Moffet. But then I looked to the left, on page 36, and saw a photo of Jeffrey's best friend from grade school, Ben Wolfe, playing his bass. I'd forgotten he was in this book. (I don't know him--he'd lived in N.Y. for many years by the time I got to Portland.) Jeffrey was bussed as a kid to a school in Ben's neighborhood. Ben didn't play bass when they were kids though--something else. Trombone, maybe. Bass came later. Since today is day 36, I'll go with that page as a starting point. Here's an excerpt:
Ben Wolfe is from Portland, Oregon. He likes to wear his ties with a little knot. He is one of the few musicians to play with us without a rehearsal...(he) is deadly serious about swinging and sounding good. He has a large sound and fine powers of concentration. He has many interests and is fun to talk to as well as very humorous. He is an excellent mimic and always come to work ready to play.
Maybe I pulled this book because the other night we finally saw Acts 3 and 4 of Spike Lee's When the Levees Broke on HBO and it put me in mind of New Orleans. And Wynton is one of New Orleans' favorite musical sons.
Flipping through the book, I came upon the section he wrote about his long-time drummer, Herlin Riley, also from New Orleans. I was struck by some of the things Wynton says about Herlin and how several of them apply to Jeffrey, too. Like this:
Billy Higgins says that a drummer has to be kind. Jeffrey has a huge heart and is enormously generous on the bandstand. He's all about making you sound good.
On the bandstand he swings and grooves. It's all about the groove, baby...all the time.
Herlin has a real spiritual connection to the drums. He started out as a trumpeter... Jeffrey's mother once told me that he'd bang his little hands on the stairs so much as a baby that her mother finally said, "Girl, you need to buy that boy some drums." So he's been a drummer his whole life, but he also plays the trumpet and I think it was his first instrument in grade school. I don't like that he doesn't have one right now. (He sold his when we were still in Portland.)
[side note] Trumpet and drums have been connected throughout history, in worship and war. I'd never really thought about that before.
...grew up listening to his grandfather tap out various deeply rooted and soulful...grooves...Drumming is in his genes. Jeffrey's first gigs when he was little were playing a snare drum in church, next to his minister grandfather who was also a drummer.
He can play the tambourine, the washboard, anything you can hit, he can play. Walking through a grocery aisle the other night, as we passed shelves of this product in round cardboard containers, Jeffrey muttered, "My first drum kit..."
Wynton calls Herlin "Homey." And having just watched the second half of Spike's film about post-Katrina New Orleans, I was particularly moved by this: Homey is from the 9th Ward of New Orleans. "Lower 9 don't mind dyin.'" Just think about how that sounds to know what it means.
How profoundly sad it is that that saying came true during Katrina.
I just realized that I have no point to this post. And that's okay. Sometimes it's enough late on a Saturday night to just sit and think on roots and musical gifts and swinging hard through life and musical legacies and finding rhythm in unexpected places. And most of all that 15+ months later, there are still many, many people from the 9th Ward who've lost their homes--physically, musically, spiritually.
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