Liz Elayne came up with this week's Poetry Thursday prompt: "Why I Love Poetry." Of course, if you'd asked me a year ago, I would have said I didn't particularly even like poetry, let alone love it. It's not that I had anything against it, really--it was just that it intimidated me. I thought poetry was designed to make me feel inadequate or dense or shallow or unworthy. After all, that's why you write poetry, isn't it? To make other people feel like shit? ;) Poetry can be intimidating for a smarty-pants who's had very little exposure to it. Because I'm supposed to get it. And if I don't instantly get it, it couldn't possibly mean that I haven't found the right poets for me--that I haven't found work that resonates with me, that I can relate to, that bears personal meaning for me. No, it couldn't be that. It had to be because I was inadequate.
Of course, I went through my Bukowski phase back in the 80's. Loved me some Charlie Bukowski. But, hell, that wasn't about poetry (he just happened to work in that form)--that was about drinking.
From The Blackbirds Are Rough Today by Charles Bukowski:
the blackbirds are rough today
like
ingrown toenails
in an overnight
jail---
wine wine whine,
the blackbirds run around and
fly around
harping about
Spanish melodies and bones.
Poetry I wasn't sure about...drinking I understood.
And then I met Liz. I don't mean 'met online'--that had already happened. I mean her bright, beaming, sweet, adorable self walked into Doug Fir in Portland one Sunday morning last April where she joined Laini and Stephanie and me for breakfast. And Poetry Thursday was new. And I thought, "How am I gonna explain to Liz that as much as I adore her, I can't participate at Poetry Thursday." I simply didn't think it was possible. Because at that point, I wasn't sure I could even find poems written by others that I'd feel comfortable posting here because...well...what if I had to explain them? Or say why I liked them? Then what?!
But Liz, being Liz, wasn't about to clobber anyone over the head with her love of poetry. She simply talked about why she liked it and about her new Poetry Thursday venture. I don't remember her exact words--I just remember leaving that breakfast feeling a little less intimiated by the mere mention of the word.
I went to my archives this morning and found my first entry for Poetry Thursday. It was on May 4th (right after that breakfast), and in honor of the Latino kids at my school who were preparing their Latino Cultural Assembly, I posted a link to The Concrete River by Luis J. Rodriguez. I continued to post poetry by others (in either written or video form) until June 22nd, when I wrote a poem for the first time. It was called clothesline:
i
you
us
them
those people
wouldn’t it be lovely
if one could
live
in a constant state
of we?
some of the most
commonplace
words
can be some of the biggest
dividers
they
what if there was
no they?
what if there
was only
us?
if words could be seen
as they floated out
of our mouths
would we feel no
shame
as they passed beyond
our lips?
if we were to string
our words
on a communal clothesline
would we feel proud
as our thoughts
flapped in the
breeze?
Until this moment, I had no memory of that being the first poem I wrote for Poetry Thursday. I'm working with two of our teachers at school to help the kids plan activities for Unity Week in March. The three of us had a planning meeting at lunchtime on Tuesday. Right before that meeting, I suddenly remembered this poem...and got an idea. I hurriedly jumped online, went into Typepad to search for the post containing this poem, copied it into a Word document and printed copies for the three of us. I shared the poem with my colleagues and told them that although I didn't write it for Unity Week, it spoke of the concepts we were trying to convey. And that I thought it might be a cool visual representation of unity to have cutouts--one for each student--clipped to clotheslines that we could hang from the rafters in our indoor commons. We first tried to think of a cut-out symbol, but then decided it would be more powerful to have the outline of a person, with arms and hands outstretched--so that strung together, the hands would be touching. We're going to leave it up to the kids to decide what students should write on their cut-out...maybe a "If you really knew me, you'd know..." statement. Maybe they could decorate them.
Yesterday morning, we met with our student organizing committee. And at the request of the teachers, I gave copies of my clothesline poem to the students. At one point, one of the teachers and a 7th grade boy read it aloud--taking turns with the lines. It was the first time I've ever heard anyone (outside the voice in my head) read one of my poems.
Last year there was a meme about blogging floating around. One of the questions was something about the effect of blogging on one's life. My response was along the lines of, "You mean other than completely and totally changing the landscape of my life?!" The same could be said for poetry. In less than a year, I've gone from nearly breaking out in a cold sweat when someone just mentions it...to sharing my poetry with others in a very public way. And once again, I feel transformed. Because it's not just about writing words. It's about the shifts that had to occur--the layers I had to be willing to expose--to get to a place where I could do that. To let go of expectations. To just keep writing regardless of whether or not you, or even I, liked it. To be willing to let it be crap (because to find little nuggets you have to sift through a lot of crap). To be willing to let go of the notion that poetry wasn't for me. And I have Liz to thank for that.
And that, my friends, is why I love poetry.
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